Will is generously giving away a Kindle copy of his latest ebook, Writing for the Webto the person who leaves his favourite comment.
The Depth of Surfaces: A collaborative and open environment allows participants to find unexpected ways to generate writing and hone directing techniques—and be in conversation with Tina about their own work and her practice with her experimental theater company.
No previous experience necessary. The company focuses on work that begins with original text and gestural scores to create whole theatrical worlds, often filled out with original music.
With Half Straddle she's written and directed nine full-length plays and a number of shorter pieces and video works which have been presented at theaters and festivals around the world. Learn more at www. To apply for your spot in the workshop, please visit the link below before Monday, December 3 to submit paragraphs describing your interest in this workshop.
This workshop will focus on the craft and process of writing short fiction.
We all have stories to tell. How do we write these stories in a way that makes them compelling, suspenseful, readable, precise? How do we develop the voice that makes these stories distinctive and personal?
In this intensive course, we will read canonical and contemporary short stories in order to investigate some of the tools of effective storytelling—world building, character development, conflict structure, point of view, etc.
In addition to examining craft tools, this workshop will be generative in nature. Students will develop original pieces of short fiction, which they will workshop in class and discuss with the instructor. The workshop is free, noncredit, and open to all members of the Philadelphia writing community; you do not need to be affiliated with Penn to join.
She is currently at work on a novel. To read some of her writing, visit elyshachang.
To apply for your spot in the workshop, please visit the link below before August 30 to submit a writing sample of between 5 and 10 pages. The application deadline has closed for the fall workshop. Stay tuned for information on future workshops!
The playwright writes language to be swallowed, absorbed by bodies and released back into space on breath, the new world enacted. In a play, language is active, a blueprint for what Happens: In this class, we will explore the potential of text as nutrition for the transformative theatrical encounter.
More simply, this is a class for anyone interested in writing plays or text for performance. We will read plays by writers who have pushed the form, do in class exercises, and write short plays. No previous experience is required.Likewise, a brilliant novelist may be uncomfortable writing a firsthand account of something that happened in real life: I couldn’t help but notice that Joyce Carol Oates, an indefatigable writer of fiction, seems less certain in her recent memoir, A Widow’s Story, in which she is overly emotional and also neglects to mention that she.
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Interactive Fiction (or IF) is a category of computer games that allow players to control the game’s main character through a series of text commands. One of the of the most well-known text adventure games is Zork. There is a more graphically rich version of IF called gamebooks.
Gamebooks allow you to click your way through the game, as well. Generative literature, defined as the production of continuously changing literary texts by means of a specific dictionary, some set of rules and the use of algorithms, is a very specific form of digital literature which is completely changing most of the concepts of classical literature.
Welcome to The Story Shack’s free creative writing prompts generator! Are you in need of fiction writing ideas? Are you in need of fiction writing ideas? Then simply click the big blue button and let the tool randomly generate some great story ideas for benjaminpohle.comd: Nov 01, This is a rich question for exploring the many facets of effective writing, including different genres, audience/purpose connections, writer's voice, and organizational structures.
3. Is biology destiny?